Dustborn

Dustborn brings angst to a comic book caper about an alternate-reality America, and you'll get an emotional ride with a few exciting punk performances if you stick with it through a slow start.

Dustborn loses power when it feels the need to look straight at the camera and make sure you understand it

This overly ambitious adventure game’s heart is in the right place

Tempered by lackluster combat, Dustborn is a thought-provoking narrative adventure where your actions have lasting impact.

It is rare for a game to be about something, to work its themes into every fiber of its being, to ask us to think about the world around us and reflect on who we are, the world we live in, and the things we’ve done to make it what it is. Dustborn does that, and it's special because of it. It doesn’t always work, but what it gets wrong pales in comparison to what it does right. It is a reminder that what we say and do matters. That, to quote Hemingway, “The world is a fine place, and worth fighting for.” That a better world is possible, if only we have the courage to build it, if we can find the right words to speak it into existence. Let there be light.

Overall, it was enjoyable to watch the relationships between the characters unfold. However, the prologue soured it early on for me, as it felt a bit too overexaggerated. The conversations and getting to explore new environments were some of the best parts of Dustborn, while I unfortunately found the combat system to be a little lacking in places. Still, the idea for this game is incredibly unique and one that I really enjoyed.

Dustborn’s rhythm mini-game is just another way the game demonstrates how underdeveloped it all is. Its terribly paced narrative is married to an elementary view of authoritarianism and stars an irritating crew that never stops talking. Combat is woefully simplistic and lacks the necessary smooth controls. None of its systems fit together coherently, either, because they’re all underbaked in one way or another and, in some cases, plagued by glitches. It’s hard for Dustborn to fight the power when it’s too busy fighting with itself at every turn.

Past all of the cringe dialogue and turgid gameplay, perhaps Dustborn’s biggest sin is feeling more like vacuous agitprop than an actual story. Whatever fight against fascism Pax – and by extension Red Thread Games – had in mind, it's an unintentionally hilarious one since her words feel as plastic as her bat.

Ultimately, Dustborn is an amazing tech demo. Red Thread Games could do amazing things if they took the mechanics of the game and applied it to something… ANYTHING else.

While some of its gameplay diversions miss the mark, Dustborn is an excellent example of how to craft engaging characters and wrap a story around them. The game is filled with surprisingly natural sounding conversations, whether they're serious and detailed or funny and light. It's very rare that I encounter characters that are so believable in a game. Quite the achievement considering one of those characters is a gruff, bearded New Yorker with dwarfism who heals people by reciting poetry, who I honestly wish I got to spend more time with.