《在車上》影評：「機關算盡」的濱口竜介，不僅自我矛盾、還讓狗血灑滿雪地？
濱口竜介的最新作品《在車上》，宛如他歷年風格的一次軍火演示，從受創傷所困的角色出發，透過藝術而有了宣洩、治療的出口，也在多個文本間重新探究劇場、文學、影像的關係。
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Drive My Car
Nov 24, 2021|Japan|Drama|Movie
Summary
A renowned stage actor and director learns to cope with his wife's unexpected passing when he receives an offer to direct a production of Uncle Vanya in Hiroshima.
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【影評】《在車上》：過猶不及的救贖
《在車上》無疑是設計得相當精準的作品，濱口竜介在村上春樹的短篇小說中融入契訶夫《凡尼亞舅舅》，甚至還有一小段薩繆爾貝克特的《等待果陀》。這幾部作品中與濱口歷年的電影都有一個共同點：尋找救贖。如同《在車上》的家福夫婦，濱口擅長捕捉細微、重要，卻被忽視的情感，《偶然與想像》是將這項優點發揮得淋漓盡致的重要作品。然而正當我還在期待魔法神作能再度出現時，《在車上》硬是把我打入了凡間。
Drive My Car Review
It’s hard not to get lost in Drive My Car, a film that runs nearly three hours but feels like a breeze. Director Ryusuke Hamaguchi is a master dramatist who excels at lengthy conversation scenes, in which nothing happens and yet everything happens — in which the camera remains largely still, but the earth tilts on its axis.
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