Slain: Back from Hell

Having beaten Back From Hell, I don't really know what else to say. I hope to never return to this game and I wouldn't want anyone to waste their time and money on the endeavor. Whether that is harsh or not, Slain on the Switch is not the version you should buy. If you want to have any hope of enjoying the game, get any of the other versions available (all of which run at 60 FPS and offer customizable controls).

Slain: Back from Hell has one of the very best pairings of stunning visuals and amazing audio that you'll find on the PS4. Unfortunately, it's let down by a dull combat system and a horribly unfair level of difficulty, meaning that the game never picks up the momentum that it should. Wolf Brew Games had an awesome idea here with stacks of potential, but the complete package is hell to play through.

Like the inside of Ozzy Osborne's head, Slain is simultaneously gorgeous, intense, chaotic and deeply, deeply frustrating. The presentation is excellent, with every part of the game exhibiting stunning 2D animation that really brings its hellish underworld to life. Where it all falls apart is the gameplay; Slain is simply no fun to play thanks to its painful difficulty level which chokes the tantalizing potential of its combat system. While it has been compared to the Castlevania series – and its combo mechanics call to mind the underrated Mirror of Fate – Slain isn't really worthy to be mentioned in the same breath as Konami's legendary gothic franchise.

Be prepared to be impressed but also frustrated with the difficulty spikes.

Slain: Back from Hell is definitely recommended if you like the classic proposals for action and 2D platforms with a fairly high difficulty throughout 6 levels that may be a simple development, but in return, it delights us with an audiovisual section of scandal , a pixel art well done, a gothic art, dark and bloody, and a soundtrack that fits like a finger. Recommended if the setting calls you and the challenges go.

This is what Slain: Back From Hell suffers most with. While it’s blatantly attractive to look at, the reliance on being too old-school in the hack ‘n’ slash department makes the game struggle to feel anything above mediocre. This doesn’t mean that I found it terrible by any means. There are a few decent surprises present and I am sure Slain: Back From Hell can be that guilty pleasure for some in its own right. I just didn’t find it nearly as fun as I had hoped it would be, especially considering the potential that can be seen within the half a dozen hours it takes to beat it.

Visuals-wise, Slain: Back from Hell for Nintendo Switch is one of the most '80s Metal videogames in existence. Unfortunately, the actual gameplay just doesn't cut it, as the controls often feel unresponsive and the level of challenge unfair. Want to play a Heavy Metal-powered Castlevania? Just play a Castlevania title with Iron Maiden on the headphones.

It's also not a very long game. My first playthrough clocked in at around seven hours, though better players could certainly finish it more quickly. There's also nothing new to do once you've slain Vroll. But if you have a thing for the difficult platformers of yore, Slain: Back from Hell is a satisfying blend of what made those games great.

Despite the very pleasing sound and visuals, Slain is just too unforgiving to be as fun as it should be. I'm glad I've finished it, because those damned flying enemies swooping down on my are giving me nightmares.

If you’re a fan of challenging games Slain: Back From Hell is happy to sate your thirst for aggravation, loud music, and pretty copious gore...